FS Koopman is a hard-working typeface.
A crossbred workhorse that draws on inspiration from Swiss grotesks, American gothics and early British grotesques. It refuses to fit neatly into any of these categories, it’s neither
one nor the other, but all of the above. It’s kinda Swiss meets American… (but with a slight Yorkshire twang).
FS Industrie is a systematic typeface.
An extraordinarily versatile new type system, with 70 variants built around five different widths and seven different weights.
Stylistically, FS Industrie feels direct and simple without sacrificing its humanity. It takes inspiration from German fonts of the 1930s, with their roots in manufacturing and signage. Each width and weight is drawn with subtle variations as you progress throughout the system, ensuring that each variant plays to its unique strengths. FS Industrie is a response to the changing nature of type, for brands responding to the changing nature of work.
FS Rome is a beautiful classic Roman caps font, based on Trajans column lettering
Sinclair is a technical typeface, a smart, switched on face inspired by the inventor of the ZX Spectrum. FS Sinclair is great in text and display. A modern grid based font.
Albert Arabic a charismatic type. A warm, sensitive face with a big personality. He’s a friendly sans serif font; shapely, flexible and modern. Available in a wide range of weights, Albert’s a versatile face ideal for use in most applications.
Ingrid is a humanist gothic, design as a sans serif with classic clean proportions, with a Scandinavian feel.
FS Aldrin is a radiant typeface. A pure modern rounded font. The warmth and approachability of a rounded font but with a technical and precise elegance. Positive, bright, flexible and intrepid. A typeface that is hand crafted at every step. FS Aldrin feels at home in multiple worlds.
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Angela Vasilyeva
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